Perth-based Ash Gibson Greig, composer of the soundtrack for WHITELEY, has won the 2017 APRA AMCOS Screen Music Award for 'Best Music for a Documentary'. Amongst a group of high-quality nominees, Ash's eclectic score -- which features jazz, rock, and evocative incidental music -- took home the prize. In addition to this prestigious award, Ash has also been nominated for 'Best Original Music Score for a Documentary' at the illustrious AACTA Awards, to be announced on December 4, 2017. Amongst other nominees, Ash is competing against his own score for BLUE, another production from Northern Pictures! WHITELEY has also been nominated for AACTA Awards for Best Documentary, Best Director, Best Editing and Best Sound. You can hear some of Ash's fantastic soundtrack in this trailer, or watch the film on DVD, iTunes, or bring it to your local cinema on demand via Fan-Force. Congratulations, Ash!
WHITELEY is a visual journey into the private life and creative legacy of Australia’s most iconic artist, Brett Whiteley, told “in his own words” using personal letters, notebooks and photographs, interwoven with reconstructions, animations, archival interviews and rare footage.
IN CINEMAS MAY 11
NSW: Chauvel Cinema, Palace Norton St, Dendy Newtown, Dendy Opera Quays, Hayden Orpheum Picture Palace Cremorne, The Ritz Cinema Randwick, Event Cronulla & Event Newcastle
ACT: Palace Electric
VIC: Cinema Nova, Palace Como, Palace Brighton Bay, Palace Balwyn
QLD: Palace Centro
WA: Luna Leederville
THIS is one of the many faces of ice.
A mentally-ill addict, in the grip of schizophrenia and crystal methamphetamine (ice) addiction, convinced the drug is helping him.
Long-term ice user Aaron’s delusions are so great, one minute he thinks the drug helps him sleep, the next he thinks it keeps him awake — all the better to guard him against the people he’s convinced are out to get him as he descends into full-blown paranoia.
The schizophrenia is exacerbated by his ice use, but Aaron believes it heals him.
His disturbing plight unfolds in the first episode of confronting new ABC documentary series Ice Wars.
"I’ve certainly never seen anything like it and it’s a masterclass in factual filmmaking."
Just days before filmmaker Alex Hodgkinson and her team started filming Ice Wars, an in-depth exploration of Australia’s growing crystal methamphetamine issue, they learnt firsthand how easy it was for the drug trade to flourish almost unnoticed under people’s noses.
ONE of Australia’s top drug enforcement officers Detective Superintendent Tony Cooke, Commander of the New South Wales Drug Squad, has revealed the extent of Australia’s spiralling problem with addiction.
THE work being done to combat methamphetamines in communities across Australia will come to life on the small screen next month.
The ABC will air a four-part series titled Ice Wars that will feature a number of locations, including Wellington.
It is the early morning wake-up call no-one wants to get, and it could happen on your street.
Bleary-eyed neighbours watch as heavily armed police break down the door and storm a suspected drug lab in Sydney's west.
After months of planning, the high-stakes flashpoint unfolds with guns trained and voices raised as officers search, what from the outside at least, looks like a normal house.
On the inside, however, it is a different story.
Just a week before filming proper began on Ice Wars, a townhouse opposite the crew's production headquarters in Redfern was raided. Inside the building was a meth lab, categorised as medium-sized, just shy of an industrial-scale outfit.
Transmission Films is delighted to unveil the trailer and key art for upcoming film WHITELEY, a documentary about Australian cultural icon Brett Whiteley.
WHITELEY is a visual journey into the life and legacy of one of Australia’s most celebrated artists. The story, told in Brett’s own voice, opens a rare window into an artist’s mind.
Check out how the households on Gogglebox reacted to Episode Four!
Cognisant of the rapid changes in the broadcast environment these days, Northern Pictures head of factual Karina Holden believes one should never rest on one’s laurels. Rather than just use the phrase as an empty sentiment to describe an upcoming production slate, she practises what she preaches as evident by her own 2013 jump from a comfortable job as a commissioning editor at the ABC.